A: Right. In the modern jazz ensemble setting, for example, left hand harmony tends to thin out anyway to leave room for the bass player. But what self-respecting jazz or blues artist doesn’t want to max out their resources for spotlight solos?
A: Right. In the modern jazz ensemble setting, for example, left hand harmony tends to thin out anyway to leave room for the bass player. But what self-respecting jazz or blues artist doesn’t want to max out their resources for spotlight solos?